Strollerderby : musical

5 Minute Time-Out: Indie rock's curmudgeon has written a children's musical - but don't tell him that.

editors — Thu, 14 May 2009 21:30:00 GMT

Today on Babble:

"5 Minute Time-Out: Stephen Merritt"

by Gwynne Watkins.

Indie rock's curmudgeon has written a children's musical- but don't tell him that.

Read it here.

Free song from Shrek the Musical

Brett Singer — Sat, 18 Oct 2008 15:00:00 GMT

DreamWorks seems to have decided that they will try and squeeze every last stinking dollar out of their mega-popular "Shrek" franchise. Coming next month: a Broadway musical. If you want to get an idea of what it will sound like, here's a free track.

Called "I Know It's Today", it is sung by Leah Greenhaus, Marissa O'Donnell & Sutton Foster.

Count me among the people who don't really get the fascination with the entire "Shrek" enterprise. The first move was all right, I guess, but hardly the brilliant satire that audiences and critics seemed to think it was. (Oooo! They made fun of "The Matrix"! How edgy!) The next two films felt very slapped together, and the fourth is unlikely to be better.

Judging by the photo of Brian D'Arcy James as the titular ogre, it looks like the makeup will be good.

How's the song? Fairly standard Broadway fare. I'd say below average. But maybe you'll feel differently.

Source: shrekthemusical.com

image: BroadwayWorld

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Family Movie Night – Hairspray

Brett Singer — Sun, 03 Aug 2008 15:00:00 GMT

Full disclosure: when I first heard a demo CD of the songs from the Broadway musical version of John Waters' film "Hairspray", I said, "Eh. That's not so great. Nobody's going to want to see it. It'll flop."

Um, right. Luckily the producers didn't listen to me, because the show has been running on Broadway for several years (long enough to have Jerry "The Beaver" Mathers play the mom for awhile, which is longer than most shows last, believe me), not to mention all the tours, regional and international productions, and of course the new film.

Unlike the new film version of "The Producers" musical, this new "Hairspray" is more fully re-imagined, which probably accounts for its greater success at the box office ($200 million, enough that there's actually going to be a sequel). The original Waters movie was very low-key, and definitely kept the hardcore gross out stuff to a minimum (if you've never seen Waters' "Pink Flamingos", you shouldn't, but there's a scene at the end that is so disgusting it haunts me to this day). In retrospect, turning "Hairspray" into a Broadway musical was actually a very good idea, since the story is quite sweet and has a positive message about racial inclusiveness, and also points out that fat people shouldn't be ostracized for their appearance. The musical and new film actually hammer that point home much harder than the original; singing about racial equality makes the message much more blunt than just showing it.

In theory, how is this a kids' movie at all? It's not, I suppose, but there's nothing in it that really crosses a line, except for a few lyrics here and there, most of which go over the heads of anyone that you would think is too young to hear them. ("Hey, baby! You look like you could use a stiff one!" – but he's talking about hairspray, so…) I've seen girls as young as six having "Hairspray" themed birthday parties, which is one reason why I think my son was actually willing to watch it. Both of the Things enjoyed it, the older one because it does have a reasonably involving story and good songs, the younger one probably because it's colorful and the music is quite good.

As for the cast, it's a mixed bag. John Travolta is not an upgrade over Divine, but she/he is dead, so that's not really fair. That said, Harvey Fierstein was so incredible on Broadway that they should have let him reprise his role on screen. I understand the need to cast big stars to ensure a film's success, but sometimes it's better to stick with the original. At least they had the courtesy to cut the line, "Hold mommy's waffles," which, when said by Fierstein on stage, actually had me laughing so hard I almost fell out of my chair. (Just take my word for it, it was hilarious.) Travolta is good in a way, but there's something almost too serious about his version of Tracy Turnblad's overweight shut-in mom. He does prove that he's still a terrific dancer, even weighted down with fifty-plus pounds of fat suit. It would be nice to see him do a musical film role that he's better suited for, or even a live turn on Broadway.

The new Tracy, Nikki Blonsky, is quite good. Rikki Lake, who played Tracy in the original, had a much tougher edge but so did Waters' film. I would watch Michelle Pfeiffer read the phone book, but she does more than that and is very good. I would have liked to see more Jerry Stiller, who has a borderline cameo as the owner of a local department store that hires Tracy to be a spokesperson. I had forgotten that he played Wilbur Turnblad in the 1988 film; his role was taken over by Christopher Walken, who I would also watch read the phone book (albeit for different reasons) and gives a solid performance, as always. James Marsden was a surprise as Corny Collins, the host of the local dance show. If that's his actual singing voice he should do another musical. Queen Latifah (Motormouth Maybelle) is no Ruth Brown but she's good enough.

Anyway, somewhat like the Broadway version, I was pleasantly surprised to find that I enjoyed this new "Hairspray", as did my kids. Recommended.

image: Amazon.com

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Clay Aiken ain't no fruit

Brett Singer — Tue, 03 Jun 2008 20:00:00 GMT

Far be it from me to imply that Clay Aiken is anything less than muy macho. But, you know, there have been those nasty rumors, which led to threats of a lawsuit from his devoted fan base, who are known as the Claymates. (Really. They call themselves Claymates, and one of them tried to sue Clay over rumors that he was homosexual. Don't you feel normal now?) So perhaps -- and I'm not saying there's anything wrong with this, you know -- Clay's recent actions are fueled by a desire to "butch it up, Mary" as the saying goes.

First: he impregnates a woman. This is a clear sign of masculinity. I mean, try doing that if you're... you know, not manly. Well, it was artificial insemination, which means there was no actual physical contact. But hey, there's nothing wrong with that either. (Even if Aiken isn't the father, he could have been. Hey! Stop laughing!)

Second: when a ~~vulture~~ cameraperson from ~~the fiery pits of Hell~~ TMZ confronted him on the street, he pulled a Sean Penn and whacked the camera. In a very aggressive, manly way. Again, nothing wrong with that. (Video of the incident is below, or click here.)

One thing that I've always found interesting is what constitutes "manliness." Impregnating a woman means that your sperm is, you know, spermy. Strong swimmers, etc. But so what?

And punching someone, even if that someone is ~~being a dick~~ just doing their jobs, is more out of control than it is "macho." To be fair, Clay just kinda pushed the guy; more specifically, he pushed the camera. If he had ripped the dude's arms off and beaten him within an inch of his life, that would have been much more manly. (Not that we advocate such behavior. But it would definitely have been big news.)

So maybe it's possible that all of this "news" just happens to be coming out (no pun intended) around the time that Mr. Aiken has a new album out. Just a thought.

In closing, let me request that the phrase "Claby" (Clay + Baby) never, ever catch on. It's just... there is something wrong with that.

(TMZ.com screenshot)

other image: offoffBway.com

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Brett Singer — Tue, 03 Jun 2008 13:30:00 GMT

Could the whole "Clay Aiken can impregnate a woman without even touching her" news be a big fat stinkin' lie? The Calgary Herald is reporting that "several people close to" babymama Jaymes Foster are denying claims (clayms? Nope, not going there) that Aiken is the daddy.

~~One Of The Signs Of The Apocalypse~~ TMZ first reported that Aiken had artificially inseminated Foster, the sister of record producer David Foster, going on to say that, "Clay is a lot more than sperm -- we're told he will have an active role in raising the child." The story was picked up by roughly 12 million media outlets. BUT one of the so-called sources is denying that he ever said Clay was the daddy-to-be, even asking People.com to retract their story. And B.J. Cook, David Foster's ex-wife and Jaymes Foster's ex-sister-in-law said, "Jaymes is definitely pregnant, that much is true...I can guarantee that it's not Clay Aiken's baby." (emphasis added.)

Of course, no one directly involved is talking to the press, including Clay, who is very busy punching cameras.

It must be pointed out that we have no knowledge of this incident, or alleged incident. Maybe Clay is on his way to fatherhood. Maybe not. Who the hell knows? Clearly this is the most important story of the decade. Well, other than the Sex and the City movie. (Election? What election?)

Aside #1: Foster went from "in her late 40's" to "50" in a matter of days -- I guess it is stressful being in the public eye. Here's a photo of the happy non-couple.

Aside #2: Even if this whole thing turns out to be bull, at least we'll always have the phrase "Clay is a lot more than sperm." Thank you ~~Satan~~ TMZ.

images: thehollywoodgossip.com, offoffBway.com

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