Strollerderby : the wild

Family Movie Night – Hairspray

Brett Singer — Sun, 03 Aug 2008 15:00:00 GMT

Full disclosure: when I first heard a demo CD of the songs from the Broadway musical version of John Waters' film "Hairspray", I said, "Eh. That's not so great. Nobody's going to want to see it. It'll flop."

Um, right. Luckily the producers didn't listen to me, because the show has been running on Broadway for several years (long enough to have Jerry "The Beaver" Mathers play the mom for awhile, which is longer than most shows last, believe me), not to mention all the tours, regional and international productions, and of course the new film.

Unlike the new film version of "The Producers" musical, this new "Hairspray" is more fully re-imagined, which probably accounts for its greater success at the box office ($200 million, enough that there's actually going to be a sequel). The original Waters movie was very low-key, and definitely kept the hardcore gross out stuff to a minimum (if you've never seen Waters' "Pink Flamingos", you shouldn't, but there's a scene at the end that is so disgusting it haunts me to this day). In retrospect, turning "Hairspray" into a Broadway musical was actually a very good idea, since the story is quite sweet and has a positive message about racial inclusiveness, and also points out that fat people shouldn't be ostracized for their appearance. The musical and new film actually hammer that point home much harder than the original; singing about racial equality makes the message much more blunt than just showing it.

In theory, how is this a kids' movie at all? It's not, I suppose, but there's nothing in it that really crosses a line, except for a few lyrics here and there, most of which go over the heads of anyone that you would think is too young to hear them. ("Hey, baby! You look like you could use a stiff one!" – but he's talking about hairspray, so…) I've seen girls as young as six having "Hairspray" themed birthday parties, which is one reason why I think my son was actually willing to watch it. Both of the Things enjoyed it, the older one because it does have a reasonably involving story and good songs, the younger one probably because it's colorful and the music is quite good.

As for the cast, it's a mixed bag. John Travolta is not an upgrade over Divine, but she/he is dead, so that's not really fair. That said, Harvey Fierstein was so incredible on Broadway that they should have let him reprise his role on screen. I understand the need to cast big stars to ensure a film's success, but sometimes it's better to stick with the original. At least they had the courtesy to cut the line, "Hold mommy's waffles," which, when said by Fierstein on stage, actually had me laughing so hard I almost fell out of my chair. (Just take my word for it, it was hilarious.) Travolta is good in a way, but there's something almost too serious about his version of Tracy Turnblad's overweight shut-in mom. He does prove that he's still a terrific dancer, even weighted down with fifty-plus pounds of fat suit. It would be nice to see him do a musical film role that he's better suited for, or even a live turn on Broadway.

The new Tracy, Nikki Blonsky, is quite good. Rikki Lake, who played Tracy in the original, had a much tougher edge but so did Waters' film. I would watch Michelle Pfeiffer read the phone book, but she does more than that and is very good. I would have liked to see more Jerry Stiller, who has a borderline cameo as the owner of a local department store that hires Tracy to be a spokesperson. I had forgotten that he played Wilbur Turnblad in the 1988 film; his role was taken over by Christopher Walken, who I would also watch read the phone book (albeit for different reasons) and gives a solid performance, as always. James Marsden was a surprise as Corny Collins, the host of the local dance show. If that's his actual singing voice he should do another musical. Queen Latifah (Motormouth Maybelle) is no Ruth Brown but she's good enough.

Anyway, somewhat like the Broadway version, I was pleasantly surprised to find that I enjoyed this new "Hairspray", as did my kids. Recommended.

image: Amazon.com

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Family Movie Night: Meet The Robinsons

Brett Singer — Sun, 06 Jul 2008 21:00:00 GMT

Like "The Wild", this movie could also be subtitled "Why we had to buy Pixar." It's a much more ambitious story than "Wild" but it just doesn't work.

The plot is convoluted but it involves time travel and what happens when you change the past, or something. I normally love that sort of thing (space-time continuum, represent!) but this time (pun intended) it just bothered me. Our hero is an orphan, which is always a pleasurable subject when watching a movie with young children; to be fair to my kids, neither one was fazed, so maybe I'm the one with the problem. The kid looks like Jonathan Lipnicky after he grows up, slims down and becomes truly weird. Of course, he's really a genius, and there's a villain out to get him but it's really the villain's hat that's in charge... or something. It's kind of a blur. The design elements are good. Pixar's John Lasseter was involved, which may account for the above-average visuals. But what works so well for Pixar -- well-written scripts, straightforward stories, combined with by far the best animation currently being produced -- completely eludes the Disney team here. Not nearly as painful to sit through as "The Wild", but still not great.

image: Amazon.com

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Family movie night: The Wild

Brett Singer — Sun, 29 Jun 2008 16:00:00 GMT

"The Wild" is a Disney film that should be subtitled, "Why we had to buy Pixar for $7.4 billion." It's so bad that you really start to wonder what the Mouse House was thinking. The animation is so-so, the plot verrry similar to the slightly better 'Madagascar'. My son, displaying Hollywood executive-level powers of verbiage, called it "Madagascar meets The Lion King". He also told me, after it was over, that he found it "hilarious", but there weren't a lot of laughs coming from the kinder while we were watching.

As in seemingly every Disney film, mom is nowhere to be found. This time, dad is a lion who dazzles crowds at the "Manhattan Zoo" with his big lionly roar. Sonny boy lacks roaring ability, which is a source of much shame. Dad tells son stories of heroic derring-do in "the wild", but it turns out (SPOILER ALERT! Ah, who cares) that pops is a big fat liar who has never set foot in the jungle -- that is, until son ends up there after stowing away in a crate in an effort to prove his mettle to dad. You will be shocked to learn that dad finds his animal senses again and saves the day, son learns to roar, there are other animals that display truly, deeply, wacky behavior. There is even inter-species romance between a squirrel and a giraffe. (I'm as tolerant as the next guy, but, like, ew.) Many elements show up from other, better films: bad guy wildebeests ('Lion King'), a stampede ('Lion King again), chameleons who spell out the direction that Big Daddy Lion must go to find his son using oddly hallucinogenic arrows (the jokey school of fish in 'Finding Nemo'). The kids didn't care too much, but with the bevy of family films available on DVD, cable, et al, there's no need for parents to suffer through this nonsense. But Brett, what do you really think? Not recommend.

image: Amazon.com

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